The intro video is completely home grown and shot cell phones. I shot some footage, but Russ shot most of what we used, then edited it on Kdenlive. He is self taught with the help of instructional videos and learned it for this project. He learned Audacity for this project as well.

The intro video is all shot with one of three Galaxy S somethings. The trail ride base (or background ride) was shot using Russ’s Galaxy S10+ with a DJI OM5 gimbal stabilizer. I haven’t checked to see if any of what we used for other parts was made with my old Galaxy S8 Active. Anything I shot after July when I bought the S21 Plus that I wrote about here was taken with that phone.

Using the gimbal was interesting. It was useful to reduce the shakes and bumps and it looked cool and weird mounted to the handlebars with the phone attached. I was riding behind Russ watching it operate. The phone looked (and was) vulnerable sticking up from the handlebars. The gimbal looked slightly organic in its undulating battery operated movements. It was attached to a GoPro mount that was completely stable, but didn’t look like it. Later I shot some of my own and the movements look so much bigger on your own bike.

Riding through the puddles in Brushy Mountain tunnel was a bit scary. Not only do the device documents tell you not to drop the gimbal, they say four separate times not to get it wet, unless it catches fire. If it catches fire, you are supposed to put the fire out with water.

Riding through the tunnel, or any other puddles, I can slow down and reduce the chances of getting the thing wet, but other riders may or may not. After riding with it for a few miles, the handle had rotated and I was afraid it had loosened and might drop, so I took it off. I wasn’t able to get it to turn off though. I removed it from the handle bars and then took the phone off of it.

It wiggled at me as if to say “Where’s my phone?” The two clamps on the disc made it look like the face on a puppy or Grogu shaking its ears to get them dry. I shoved the handle in a pocket in my bike tights. I hoped the device would get separation anxiety there and shut down. The moving part was free, so I didn’t expect it cause any problems if it didn’t and It had shut off by the time I got back to the car.

We chose to shoot with the phones and gimbal instead of the equipment that we plan to use for the project because, even after buying the gimbal, it was the least expensive way to achieve a usable introductory product. We’ve made similar choices with other things along the way.

We will switch to GoPro Hero 10s for the project to get the rugged durability, better image stabilization, the ability to stream one camera and the weatherproof qualities. The GoPros and other equipment we plan to use for the project is not harder to use. Switching will not be difficult once more appropriate equipment is funded.

Most audio was recorded with an external microphone. I set the the Mic on a tall stool in my small walk in closet for the dampening, and set the laptop on a big box of fireworks (we’ll have to use them to celebrate when we get funded). The box was about as tall as the mic, so I was able to read the script I wrote without having it draw me away from the mic. I sat down in the doorway and leaned in and up. We wanted it all a little bit high so it helped my diaphragm and projection. As a set up, it worked reasonably well. Beside needing something written to keep me as brief as possible and on track, my untrained voice was our biggest challenge. Winging would have been nice, but the video would have been long and winding. Russ also took audio off some cell footage I took of Sandhill Cranes wheeling above.